Reflections on JOE’S RAIN
I feel as if I’m pushing my canoe out into an unfamiliar stream in trying to talk about JOE’S RAIN more than obliquely, poetically. Because it is a book that evolved over a twenty-year period, I look at the table of contents and bats fly off the page. So many stages of my life, many of the most productive and mature years, reside between the covers.
There were several titles to the manuscript before JOE’S RAIN was settled on in 1999 or 2000. The only title poem that survives besides Joe’s Rain is What’s Sweet. This poem exemplifies the tone of inclusion and human-ness that I hope permeates the book, but not all the poems are so celebratory. Joe’s Rain came straight out of thinking about the death of a friend, Joe Aiello, and what it means when living, breathing, thinking, feeling people go away and don’t come back. So, many of the poems try to explore that question, probably the most important one in our lives. The subject of who we are and how we get to be us is fascinating and important. In my heart I know we mustn’t be afraid.
|
There are many poems that live in the territory I seem to drift to when I want to say something, a place made up of everything I see and hear and absorb for later. Lucky All Their Lives has most of the elements I’m talking about: It begins with the question, “What would you like?” I like to be asked that myself, so I ask it, as your host, sincerely. I try to offer a place—a beach, a geologic feature for interest, even a temperate day. The old people looking for agates could be you and me in a few years, now even. As you see, we are holding hands, which feels nice. We hear the calming sounds of the world at its business, and see, for free, that original painting that happens every evening at our edge of the world. Those campfires are comforting; they speak to something ancient in us, a glad feeling. And then the past becomes part of Now, all of our history included. We see ourselves from beyond, as if looking through a big clean window. I could be that man writing in his notebook, though I’ve been taught not to wear my hat indoors. You are the waitress who would like to let her hair down. Are we still holding hands? You get the picture. Let’s walk back home, wherever that is. I’m sure we’ll find something to do.
Quinton Duval
|
|